2024雕江东名邑·塑时代芜湖——芜湖雕塑专题展

（一）展览简介

芜湖造船厂的前身是成立于1900年的福记恒机器厂，肩负振兴民族造船工业的使命。作为国家“一五”期间苏联援建的156项重点工程之一，芜湖造船厂曾经接待过几任党和国家主要领导人的视察和检阅。

总部位于芜湖的奇瑞汽车股份有限公司成立于1997年1月8日，成立27年来，始终坚持自主创新，逐步建立起完整的技术和产品研发体系，打造了艾瑞泽、瑞虎、EXEED星途等知名产品品牌。奇瑞汽车已经成为芜湖的一张璀璨名片，也是中国汽车工业的骄傲。

奇瑞集团秉持“创新 责任 共赢”的核心理念，始终以产业报国为己任，致力于成为具有全球影响力和竞争力的一流企业集团。集团通过整合全球资源，围绕汽车主业推进多元化发展，形成了汽车、汽车零部件、金融、地产、现代服务等业务，旗下拥有奇瑞汽车、奇瑞商用车、奇瑞汽金、奇瑞科技等300余家成员企业，业务遍布全球80多个国家和地区。2023年集团年营收首次突破3000亿元，同比增长超过50%；汽车年销量188.1万辆，同比增长52.6%；年出口汽车93.7万辆，同比增长101.1%，连续21年位居中国品牌乘用车出口第一。截止目前，奇瑞公司全球汽车用户累计超过1300万，其中海外用户335万。

2024年，芜湖雕塑专题展将在芜湖“老船厂1900”举办。芜湖“老船厂1900” 是独一无二的城市记忆载体，承载了百年城市历史和数代人青春记忆，是汇聚芜湖光辉制造工业与城市创新的独特场所，标志着过去与未来的交织融合。芜湖“老船厂1900”紧邻长江，这里有芜湖黄金江岸线中唯一的“非堤岸滨江浅滩”，这里遗留着近百年来不同时期的历史建筑，有船台、龙门吊、车间保留小品等有着船厂独特印记的标志物，依托百年船厂工业遗迹与滨江景观资源，必将拉动芜湖整个“黄金江岸”的整体提升和联动发展，再次激活黄金江岸的核心动力，重塑城市滨江新标杆。

长江文化、造船文化、汽车文化将在本次展览中与艺术相融合，为观众呈现一场多维、丰富而又独特的文化盛宴。

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本次展览不仅聚焦于雕塑作为捕捉和表达芜湖城市变化的媒介，也试图通过这一艺术形式，连接芜湖的历史与现代，传统与创新。展览将广泛征集将芜湖丰富的文化故事和时代特色，转化为令人深思的雕塑艺术作品，从而在城市的文化记忆中添加新的篇章。

展览围绕“长江文化、造船文化、汽车文化”三大主题展开，展示芜湖如何在传统与新时代之间找到独特的平衡点，以及如何在全球化的大背景下保持和发展自己的地方特色和文化自信。通过“雕江东名邑·塑时代芜湖”——芜湖雕塑专题展，我们期待观众能够深入理解芜湖这座城市的文化内涵和时代价值，同时也希望借此机会，为艺术家和观众提供一个交流、启发思考的平台，共同探讨和展望芜湖未来的发展方向和可能性。

（二）主要活动

凡认同本次展览主题和宗旨，具有雕塑创作能力的国内外艺术家均可报名参加，不限国别、民族、年龄、性别。

2.3征集形式

采用广泛征集的方式，面向全球，公开征集38件雕塑作品方案。

作品需要结合长江文化、造船文化、汽车文化。

2.4展览流程

（1）38件雕塑作品方案征集。通过初评会，确定38件作品方案，并统一由主办方进行立体稿（小稿）制作（共计38件），并进行1年的立体稿展示。

备注：需要作者协助提供作品3D数据，若无数据模型需要由作者制作模型方便主办方进行精细立体稿制作。

（2）立体小稿展示期间，由主办方召开复评会，确定18件最终入围作品。这18件作品将由主办单位统一制作成适合进行户外长期展示的作品（尺寸待定），放置于芜湖“老船厂1900”等公共空间进行长期展示。

（3）其余20件作品立体小稿将由主办方进行为期1年的展示后，由主办方将立体小稿寄送给作者。

（4）最终入围的18件作品作者将获得作品收藏证书以及10万元（税后）的作品收藏费，立体小稿和其户外展示作品将被主办方永久收藏；其余20件作品的作者将获得参展证书以及作品立体稿（小稿）。

（5）在双方约定的展示期间，如果主办方对其他20件作品中有需要加工放大并永久陈列在“老船厂1900”等场所，将向作者支付8万元（税后）的方案使用费，同时立体稿件也将被主办方收藏。

2.5 征集细则

（1）展览征稿一律采用网上报名的方式（如有网络困难的作者，请主动与艺委会办公室联系），每位作者提交1-3件作品的图片资料供艺委会评选，并须填写组委会统一制定的参展作者登记表以及提供相应附带资料，相关表格和说明可以从中国雕塑学会网站（中文版：www.csin.org.cn；英文版：http://www.csin.org.cn/english/index.asp）下载或到展览艺委会办公室免费进行报名手续办理。

作者须于2024年5月5日之前将填好的电子版登记表与参展作品方案图片、个人照片、身份证（正背面）扫描件发至组委会指定电子邮件wuhudiaosudasai@csin.org.cn。

发送多件作品的作品图片要与作品说明对应明确、清晰；组装作品要有清楚明了的安装图（发送邮箱的所有电子版相关图片解析度应在300DPI以上）。作品图片为JPG格式，不应标注任何文字信息，图片电子文件应按作者姓名、作品名称命名（例如：米隆《掷铁饼者》.JPG）。登记表格填写务必清楚，不漏项，国外参展作者（华裔除外）原则上用英语填写。报送材料逾期将不被受理。

（2）艺委会依据报名参选资料对所有报送作品进行评选，评选结果将在中国雕塑学会网站以及中国雕塑学会微信公众平台公布。

2.6 展览布置

将以芜湖“老船厂1900”园区为主，进行雕塑作品的布置，形成一条有序而富有美感的展览线路。每件作品将拥有足够的展示空间，以确保观众能够全方位地欣赏到作品的各个角度。

2.7 展览期限

长期展示。

2.8作品收藏

18件最终入选作品的收藏费由芜湖方支付，在展览开幕之初完成支付，每件10万元（税后）。

（三）知识产权保护

4.2承办单位

芜湖市住房和城乡建设局

中国雕塑学会展览部

4.3学术支持单位

中央美术学院雕塑系

中国美术学院雕塑系

上海美术学院雕塑系

清华大学美术学院雕塑系

广州美术学院雕塑系

四川美术学院雕塑系

鲁迅美术学院雕塑系

天津美术学院雕塑系

西安美术学院雕塑系

湖北美术学院雕塑系

4.4展览组织委员会

组委会主任：

宁   波  芜湖市委书记

曾成钢  中国雕塑学会会长、上海美术学院院长

组委会副主任：

韦秀芳  芜湖市委宣传部部长

向继辉  芜湖市人民政府副市长

秘书长：

朱发沐  芜湖市住房和城乡建设局党委书记、局长

花春江  中国雕塑学会副秘书长

成 员：

于小平  中国美术学院教授

邢   晖  芜湖市财政局局长

王玉娟  芜湖市文旅局局长

后   力  芜湖市外事办主任

金玉峰  芜湖市自然资源和规划局局长

童宗新  芜湖市审计局局长

杨绍华  芜湖市城市管理局局长

秦文涛  芜湖市公安局副局长

丁敏生  芜湖市住建局副局长

刘梅霞  中国雕塑学会办公室主任

组委会办公室

顾  问：后其荣

主  任：朱发沐（兼）

副主任：于小平、花春江、丁敏生、刘梅霞

4.5展览艺术委员会

艺委会主任：

曾成钢   中国雕塑学会会长、上海美术学院院长

艺委会委员：

孙振华  中国雕塑学会秘书长、《中国雕塑》主编

吕品昌  中国雕塑学会副会长、景德镇陶瓷大学副校长

焦兴涛  中国雕塑学会副会长、四川美术学院副院长

殷晓峰  中国雕塑学会副会长、东北师范大学公共艺术研究中心主任

冀少峰  中国雕塑学会副会长、湖北美术馆馆长

翟庆喜  中国雕塑学会副会长、上海美术学院副院长

林   岗  中国雕塑学会副会长、杭州市雕塑院院长

董书兵  中国雕塑学会副会长、清华大学美术学院副院长

张   伟  中国雕塑学会副会长、中央美术学院雕塑系主任

谭   勋  中国雕塑学会副会长、天津美术学院造型学院副院长

艺委会顾问：

黎   明  中国美术家协会雕塑艺委会主任

杨剑平  上海美术学院教授

陈云岗  西安美术学院教授

殷双喜  中央美术学院教授

傅中望  湖北美术馆艺术总监

霍波洋  鲁迅美术学院教授

龙   翔  中国美术学院教授

策展人：

曾成钢  中国雕塑学会会长、上海美术学院院长

学术主持：

孙振华  中国雕塑学会秘书长、《中国雕塑》主编

展览总协调：

花春江

策展助理：

闫 坤、胡玉多

展览监制组：

翟庆喜、朱  晨、董书兵、林  岗、陈  辉、冯崇利、马天羽

展览宣传组：

王  晶、张卓铭

国际联络组：

郭  航、赵  磊、胡玉多

艺委会办公室主任：

刘梅霞

艺委会办公室：

邵玥姣、吕文涛、胡玉多、王  晶、罗  平、张卓铭、丁雪竹

附件下载：1710254358-报名表（中文）

Wuhu Municipal People’s Government places high importance on the strategic significance of promoting Wuhu’s sculpture, especially its integration into the city’s public spaces to create works of outstanding era and artistic value. Under this consensus, it has taken the lead, in cooperation with the China Sculpture Institute, to plan the Wuhu Sculpture Special Exhibition. The exhibition aims to inherit and promote Wuhu’s industrial culture, such as the Yangtze River culture, shipbuilding culture, and automobile culture, adding new cultural depth to the city and injecting new momentum into the development of the cultural industry.

This special exhibition will be an important step for Wuhu in cultural construction and industrial development, laying a solid foundation for the city’s continuous prosperity. Wuhu, historically known as Jiuzi, has a documented history of over 2,500 years, with its county establishment dating back to 109 BC, initially named Wuhu. In ancient times, benefiting from the confluence of two rivers and advantageous navigation, Wuhu’s agriculture, handicraft industry, and commerce were relatively developed. During the Southern Tang dynasty, it was described as “towers and pavilions in dense arrays” and “smoke and fire from ten thousand homes”. The smelting industry reached its peak in the Song dynasty, and in the Ming dynasty, it became the national center for printing and dyeing, as recorded in “T’ien-kung k’ai-wu” that “weaving is best in Songjiang, while starching and dyeing are best in Wuhu”.

In modern times, Wuhu was one of the birthplaces of industry and commerce in the middle and lower reaches of the Yangtze River and one of the four major rice markets in the country. It was the first treaty port city in Anhui, hailed as “the giant port of the Yangtze River, the backbone of Anhui (province)”. As an important city along the Yangtze River, Wuhu carries a long history and rich cultural heritage. Since the birth of the Wuhu Shipyard, the city has witnessed the glorious journey of China’s manufacturing industry. The predecessor of Wuhu Shipyard was FuJiHeng Machinery Factory, established in 1900, carrying the mission to revitalize the national shipbuilding industry.

Chery Automobile Co., Ltd., headquartered in Wuhu, was established on January 8, 1997. For 27 years, it has consistently adhered to independent innovation, gradually establishing a complete technology and product research and development system, creating well-known product brands such as ARRIZO, TIGGO, and EXEED. Adhering to the core philosophy of “Innovation, Responsibility, Win-Win”, Chery Group has always taken it as its mission, striving to become a world-class enterprise group with global influence and competitiveness. The group has diversified its development around the automotive main business by integrating global resources, forming businesses in automobiles, auto parts, finance, real estate, and modern services. It owns over 300 member enterprises, including Chery Automobile, Chery Commercial Vehicle, Chery Technology, etc., with businesses spanning over 80 countries and regions. As of now, Chery has over 13 million car users worldwide, including 3.35 million overseas users.

In 2024, the Wuhu Sculpture Special Exhibition will be held at the Wuhu “Old Shipyard 1900”. The Wuhu “Old Shipyard 1900” is a unique carrier of urban memory, bearing the history of the city for a century and the youthful memories of generations. It is a distinctive venue that gathers the manufacturing industry and urban innovation of Wuhu, symbolizing the intertwining and fusion of past and future. Located adjacent to the Yangtze River, the Wuhu “Old Shipyard 1900” retains historical buildings from nearly a hundred years, including slipways, gantry cranes, workshop artifacts, and other unique markers of the shipyard. Relying on the century-old industrial relics of the shipyard and riverside landscape resources, the special exhibition will undoubtedly promote the overall enhancement and interconnected development of Wuhu’s entire “golden riverside”, reactivating the core dynamism of the golden riverside and reshaping a new benchmark for the city’s riverside.

The cultures of the Yangtze River, shipbuilding, and automobiles will merge with art in this exhibition, presenting a multidimensional, rich, and unique cultural feast for the audience.

1.2 Theme

Sculpting the Legacy of Jiangdong·Wuhu in a New Era—Wuhu Sculpture Special Exhibition will showcase the depth of history and contemporary vitality of Wuhu, a famous city in the east of the Yangtze River, and explore and interpret the essence of Wuhu’s urban culture through the creativity of artists and the sculptural form language, including its long-standing cultural heritage of the Yangtze River, its glorious shipbuilding industry, and its modern and prosperous automobile industry. The works on display will have an unique insight and be profound reflection on Wuhu’s past, present and future.

The exhibition not only draws attention on sculpture as a medium for capturing and expressing the changes of Wuhu city, but also attempts to connect Wuhu’s history and modernity, tradition and innovation through this art form. It will select works that transform Wuhu’s rich cultural stories and characteristics of the times into thought-provoking sculptures, adding new chapters to the city’s cultural memory.

Focusing on the three themes of “Yangtze River culture, shipbuilding culture and automobile culture”, the exhibition shows how Wuhu has found unique balance between tradition and a new era, and how to maintain and develop the local characteristics and cultural confidence in the context of globalization. Through Sculpting the Legacy of Jiangdong· Wuhu in a New Era—Wuhu Sculpture Special Exhibition, we hope that viewers will have a better understanding of the city’s cultural connotations and contemporary values, and to provide a platform for artists and viewers to communicate and think, exploring the future developing direction and possibilities of Wuhu.

1.3 Exhibition Vision

To further enhance the landmark influence of “Old Shipyard 1900” and improve the city’s quality and vitality. We aspire to transform the Wuhu “Old Shipyard 1900” into a dazzling urban landmark that integrates sculpture, Yangtze River culture, shipbuilding culture, and automotive culture.

(II) Main Activities and Call for Submissions

2.1 Exhibition Opening

Exhibition Name: Sculpting the Legacy of Jiangdong·Wuhu in a New Era—Wuhu Sculpture Special Exhibition

Exhibition Opening: November 2024 (specific date to be determined)

2.2 Scope of Submissions

Artists from both domestic and international backgrounds who agree with the theme and purpose of the exhibition and possess the ability to create sculptures are welcome to apply. There are no restrictions on nationality, ethnicity, age, or gender.

2.3 Collection Format

A wide call for submissions will be employed, open globally, to publicly collect 38 sculpture project proposals.

The works need to incorporate elements of Yangtze River culture, shipbuilding culture, and automotive culture.

2.4 Exhibition Process

1) Collection of 38 sculpture project proposals. Through a preliminary review meeting, 38 project proposals will be selected, and the organizers will produce three-dimensional models (small versions) for all 38 pieces, which will be displayed for one year.

Note: The author is required to assist in providing 3D data of the work. If there is no data available, the author needs to make a model to facilitate the organizers to make precise three-dimensional manuscripts.

2) During the display period of the three-dimensional models, the organizers will hold a re-evaluation meeting to determine the final 18 entries. These 18 pieces will be produced by the organizing unit into works suitable for long-term outdoor display (dimensions to be determined) and placed at the Wuhu “Old Shipyard 1900” and other public space for long-term exhibition.

3) The three-dimensional models of the remaining 20 pieces will be displayed by the organizer for around a year, after which the organizer will give the three-dimensional model back to the authors (for free).

4) The authors of the final 18 selected works will receive a work collection certificate and a collection fee of 100,000 yuan (after tax) for the work. Both the three-dimensional models and their outdoor display pieces will be permanently collected by the organizers; the authors of the other 20 works will receive a participation certificate and the three-dimensional model (small version) of their work.

5) During the agreed display period, if the organizers decides to process and fabricate any of the other 20 works for permanent display at the “Old Shipyard 1900” and other public space, a fee of 80,000 yuan (after tax) will be paid to the author for the use of the proposal, and the three-dimensional model will also be collected by the organizer.

2.5 Call for Submissions Details

(1) Submissions for the exhibition must be made online (authors experiencing internet difficulties should proactively contact the Art Committee Office). Each author can submit images of 1-3 works for the Art Committee’s selection and must fill out a registration form set by the Organizing Committee as well as provide corresponding supplementary materials. Relevant forms and instructions can be downloaded from the China Sculpture Institute’s website (Chinese version: www.csin.org.cn; English version: http://www.csin.org.cn/english/index.asp) .

Authors must send the filled electronic registration form, images of the proposed exhibition works, personal photo, and scanned copies of their passport to the designated Organizing Committee email wuhudiaosudasai@csin.org.cn before May 5, 2024.

Images of multiple works should be clearly and accurately matched with their descriptions (all digital images sent to the email should have a resolution of over 300 DPI). Images should be in JPG format, without any text information, and named after the author’s name and work title (for example: Myron-Discobolus.JPG). The registration form must be filled out clearly, without omissions, and foreign participants should fill it out in English primarily. Late submissions will not be accepted.

(2) The Art Committee will evaluate all submitted works based on the registration materials, and the results will be published on China Sculpture Institute’s website and CSI official account of Wechat.

2.6 Exhibition Layout

The arrangement of sculptures will take place around the Wuhu “Old Shipyard 1900” and other public space, creating an orderly and aesthetically pleasing exhibition route. Each piece will have sufficient display space to ensure that the audience can fully appreciate the works from all angles.

2.7 Exhibition Duration

Long-term display.

2.8 Collection Fee

The collection fee for the 18 final selected works will be paid by the Wuhu party, with payment completed at the beginning of the exhibition opening. Each work will receive 100,000 yuan (after-tax).

(III) Intellectual Property Protection

(1)The projects submitted by participating authors must not infringe the patent rights, copyrights, trademark rights, reputation rights or any other legitimate rights and interests of other third parties.

(2) The exhibition organizing units have the right to publish and distribute compilations of the exhibition projects and to authorize the Wuhu Municipal People’s Government and the China Sculpture Institute for their use in public welfare activities.

(IV) Organization

4.1 Organizers

China Sculpture Institute

Wuhu Municipal People’s Government

4.2 Undertaking Organization

Wuhu Housing and Urban-Rural Development Bureau

Exhibition Department of China Sculpture Institute

4.3 Academic Support Units

Sculpture Department of China Central Academy of Fine Arts

Sculpture Department of China Academy of Art

Sculpture Department of Shanghai Academy of Fine Arts

Sculpture Department of Academy of Arts & Design, Tsinghua University

Sculpture Department of Guangzhou Academy of Fine Arts

Sculpture Department of Sichuan Academy of Fine Arts

Sculpture Department of Luxun Academy of Fine Arts

Sculpture Department of Tianjin Academy of Fine Arts

Sculpture Department of Xi’an Academy of Fine Arts

Sculpture Department of Hubei Academy of Fine Arts

4.4 Organizing Committee

Directors:

Ning Bo

Secretary of Wuhu Municipal Party Committee

Zeng Chenggang

President of China Sculpture Institute, President of Shanghai Academy of Fine Arts

Deputy Directors:

Wei Xiufang

Minister of Publicity Department of Wuhu Municipal Party Committee

Xiang Jihui

Deputy Mayor of Wuhu Municipal People’s Government

Deputy Directors:

Wei Xiufang

Minister of Publicity Department of Wuhu Municipal Party Committee

Xiang Jihui

Deputy Mayor of Wuhu Municipal People’s Government

Secretary-General:

Zhu Famu

Secretary of the Party Committee and Director of Wuhu Housing and Urban-Rural Development Bureau

Hua Chunjiang

Deputy Secretary General of China Sculpture Institute

Member:

Yu Xiaoping

Professor of China Academy of Art

Xing Hui

Director of the Finance Department of Wuhu

Wang Yujuan

Director of Wuhu Culture and Tourism Bureau

Hou Li

Director of Foreign Affairs Office of Wuhu

Jin Yufeng

Director of Wuhu Natural Resources and Planning Bureau

Tong Zongxin

Director of Audit Bureau of Wuhu

Yang Shaohua

Director of Wuhu City Management Bureau

Qin Wentao

Deputy Director of Wuhu Public Security Bureau

Ding Minsheng

Deputy Director of Wuhu Housing and Urban-Rural Development Bureau

Liu Meixia

Office Director of China Sculpture Institute

Organizing Committee Bureau

Consultant: Hou Qirong

Director: Zhu Famu

Deputy Director: Yu Xiaoping, Hua Chunjiang, Ding Minsheng, Liu Meixia

4.5 Art Committee

Director of Art Committee:

Zeng Chenggang

President of China Sculpture Institute, President of Shanghai Academy of Fine Art

Art Committee Members :

Sun Zhenhua

Secretary-General of China Sculpture Institute, Editor-in-Chief of China Sculpture

Lv Pinchang

Vice President of China Sculpture Institute, Vice President of School of Plastic Arts of Central Academy of Fine Arts

Jiao Xingtao

Vice President of China Sculpture Institute, Vice President of Sichuan Academy of Fine Arts

Yin Xiaofeng

Vice President of China Sculpture Institute, Professor of Fine Arts College in Northeast Normal University

Ji Shaofeng

Vice President of China Sculpture Institute, Director of Hubei Art Museum

Zhai Qingxi

Vice President of China Sculpture Institute, Vice president of Shanghai Academy of Fine Arts

Lin Gang

Vice President of China Sculpture Institute, President of Hangzhou Sculpture Institute

Dong Shubing

Vice President of China Sculpture Institute, Vice President of Academy of Fine Arts, Tsinghua University

Zhang Wei

Vice President of China Sculpture Institute, Dean of Sculpture Department of China Central Academy of Fine Arts

Tan Xun

Vice President of China Sculpture Institute, Vice President of School of Fine Arts, Tianjin Academy of Fine Arts

Art Committee Advisor:

Li Ming

Dean of the Sculpture Art Committee of Chinese Artists Association

Yang Jianping

Professor of Shanghai Academy of Fine Arts

Chen Yungang

Professor of Xi’an Academy of Fine Arts

Yin Shuangxi

Professor of Central Academy of Fine Arts

Fu Zhongwang

Artistic Director of Hubei Museum of Art

Huo Boyang

Professor of Luxun Academy of Fine Arts

Long Xiang

Professor of China Academy of Art

Curator:

Zeng Chenggang

President of China Sculpture Institute, President of Shanghai Academy of Fine Art

Academic Host:

Sun Zhenhua

Secretary-General of China Sculpture Institute, Editor-in-Chief of China Sculpture

General Exhibition Coordinator:

Hua Chunjiang

Executive Curator :

Yan Kun, Katherine

Exhibition Supervision Department:

Zhai Qingxi, Zhu Chen, Dong Shubing, Lin Gang, Chen Hui, Feng Chongli, Ma Tianyu

Exhibition Publicity Department:

Wang Jing, Zhang Zhuoming

International Communication Department：

Guo Hang, Zhao Lei, Katherine

Office Director of the Art Committee:

Liu Meixia

Members of the Art Committee Office:

Shao Yuejiao, Lv Wentao, Hu Yuduo, Wang Jing, Luo Ping, Zhang Zhuoming, Ding Xuezhu

Contact of the Art Committee Office:

Tel: (+86) 010-66173056

Email: wuhudiaosudasai@csin.org.cn

Address: 302, Building 12, Yard 3, Xixing Road, Houshayu Town, Shunyi District, Beijing

Postcode: 101318

Download:Registration Form.doc

传真：010-50933158

E-mail : office@csin.org.cn

网址：www.csin.org.cn